Hárr Benedicte Maurseth

• 1Augnast03:19
• 2Heilo07:32
• 3Reinsdyrbjøller05:49
• 4Kollasj I02:41
• 5Eidfyrder04:16
• 6Hárr03:51
• 7Hreinn06:18
• 8Kollasj II04:18
• 9Snø over Sysendalen05:16
• Total Runtime43:20

Info zu Hárr

Eine Hommage an die Tierwelt und die Bergbewohner von Benedicte Maurseths Heimat in Hardanger. Die gefeierte und innovative visionäre Musikerin Benedicte Maurseth kommt mit dem wunderbaren, alles verschlingenden Album Hárr heraus. Der Klang ihrer magischen Hardangerfiedel ist nahtlos mit dem der Vögel und den musikalischen Eindrücken der anderen Musiker verwoben. Das Album, das sich immer mit einer stählernen Ruhe vorwärts bewegt, zieht einen in eine Welt, in der man das Gefühl hat, eins mit der Natur zu sein, wenn man über ein Bergplateau wandert. Benedicte ist in Maurset in Eidfjord aufgewachsen und ist ihr ganzes Leben lang durch die Berge gewandert, was eindeutig den Grundstein für diese musikalische Expedition gelegt hat. Wie es traditionelle Volksmusiker schon immer getan haben, ist Maurseth offen für zeitgenössische Einflüsse aus interaktiven Kunst- und Musikstilen. Das Werk Hárr oszilliert zwischen norwegischen Volksweisen, frei improvisierter Musik, amerikanischem Minimalismus und dem ausgiebigen Einsatz von Musique Concrète. In den Tracks sind auch natürliche Klanglandschaften zu hören, die durch das Schlurfen von Rentieren, Rentierhirten, Vögeln und Insekten entstehen, die alle in der Hardangervidda aufgenommen wurden.

Benedicte Maurseth, Hardanger fiddle
Håkon Mørch Stene, vibraphone, marimba, percussion, electric guitar, electronics
Mats Eilertsen, double bass, electronics
Guest:
Jørgen Træen, electronics
Rolf-Erik Nystrøm, saxophone
Stein Urheim, langeleik, harmonica, electronics, samples, percussion

Benedicte Maurseth
Hardanger fiddle player, composer and writer Benedicte Maurseth (b.1983) is a well- established and esteemed composer/performer on Norway’s folk music scene. Born in Eidfjord in the beautiful Hardanger Fjord region in western Norway, today her home is in the city of Bergen, where she works as a freelance musician. Maurseth has studied with Hardanger fiddle master Knut Hamre for close to 30 years, and traditional music from Hardanger is her area of expertise. She is an alumna of the prestigious Ole Bull Academy, where she studied Norwegian Folk Music Performance, and in recent years, Maurseth has expanded her work to include Norwegian traditional folk singing (kveding).

In 2007 she came to wider attention as Norway’s Young Folk Musician of the Year. Since then Maurseth has toured extensively as a soloist and in collaboration with others, both in Norway and internationally. She works closely with many of the leading artists across genres, especially within early music and improvised music. She has also worked with writers and actors and has a deep interest in baroque instruments and has for several years worked with fiddles dating back to the 1700s. She also uses gut strings and Baroque bows and tunes her fiddle in a lower pitch then what is common among most Hardanger fiddlers today.

For many years, Maurseth has also composed new material for the Hardanger fiddle, both for solo performances, solo recordings, and for the theatre and other ensembles. For her latest commissioned work, Tidekverv, she was awarded the NOPA Music Prize for 2017. She also received the Voss Jazz Prize for 2018, as well as many prestigious fellowships from the Norwegian state in order to concentrate on cultivating her tradition and creative work. She has recorded several albums for Grappa and ECM and has released books and essays. Her book about art, teaching and music as healing; To be nothing. Conversations with Knut Hamre, Hardanger Fiddle Master, is available in English through Terra Nova Press / MIT Press, Fall 2019.

Dieses Album enthält kein Booklet