Album Info

Album Veröffentlichung:
2021

HRA-Veröffentlichung:
20.08.2021

Label: Spotted Peccary

Genre: Electronic

Subgenre: Ambient

Interpret: Chronotope Project

Das Album enthält Albumcover

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 48 $ 12,00
  • 1Higgs Field, Cauldron of Being07:20
  • 2Lethe, the River of Forgetfulness08:53
  • 3Eidos, Realm of the Forms10:22
  • 4The Still Small Voice06:19
  • 5Entelechy, Emergent Order07:47
  • 6Myth of the Cave11:35
  • Total Runtime52:16

Info zu Gnosis

Gnosis, Oregon-based composer Jeffrey Ericson Allen’s 5th release for Spotted Peccary Music and 9th as Chronotope Project, intimately explores the bond between the composer’s two life passions: music and philosophy. For inspiration, Allen reconnected with the ancient Greek philosophers who he was first enraptured with in his twenties. He found music in Plato’s inquiries; he saw in philosophical paradoxes the push-and-pull of musical counterpoint, the tension and release of dissonance and resolution. On Gnosis, Chronotope Project uses his signature jazz and classical-inflected progressive ambient sound to portray the greatest philosophical inquiry of all: a quest for knowledge.

This quest is painted with a wide array of styles: deep drones and ambient textures, classical counterpoint and driving polyrhythms, atonal sound painting and unabashed romanticism. The diverse sounds here are anchored by the flute-like timbre of the Haken Continuum Fingerboard synthesizer, which appears throughout as the knowledge-seeking protagonist. These richly layered soundscapes evoke the majesty of myth, from the cosmic arpeggios of “Higgs Field, Cauldron of Being” to the intimate pastoral of “The Still Small Voice.”

Allen’s skill as a sonic storyteller is on full display in every aspect of Gnosis. “Lethe, the River of Forgetfulness,” finds the seeker drifting down one of the five rivers of Hades. Souls drink from Lethe to let go of their mortal memories before continuing their journey. A cello bassline embodies Lethe’s current, pulling the seeker further and further; a subtle Rhodes piano entwines with the Haken Continuum as the seeker’s memories drift away into the water. Then, on “Eidos, Realm of the Forms,” the seeker arrives at the Eternal Forms, which possess the structure needed to understand the world’s true nature. The seeker’s questions spiral through the hypnotic rhythm of the Forms, built from warm textures and hand percussion. In the album closer, the eerie and harrowing “Myth of the Cave,” the seeker vanishes, overwhelmed by the truth of the absolute—before, knowledge achieved, a twirling harp ushers in an ascendant finale.

Gnosis is one of many Greek words for knowledge, referring to knowledge gained through experience. The breadth of this album reflects this: Gnosis traverses the ominous and serene, the harmonic and the dissonant to render the accords and contradictions of philosophy in Chronotope Project’s signature cinematic sound.

Chronotope Project aka Jeffrey Ericson Allen




Jeffrey Ericson Allen
is an Oregonian composer, cellist and electronic music recording artist. He has an extensive and eclectic background in classical, new acoustic and theatrical music production. His contemplative art music has been featured on distinguished and nationally-syndicated radio programs including Hearts of Space, Echoes, Journeyscapes, Galactic Travels, Star's End and Ultima Thule. Chronotope Project represents his most recent expression as a creator of contemporary progressive ambient music. "Chronotope" refers to the essential unity of space and time, a concept with numerous expressions in literature, physics and the arts. The music of Chronotope Project explores this time-space confluence and invites the listener on ambient journeys of deep texture infused with gentle pulsing rhythms and soulful melodies. He has released ten solo albums of original music, the last four with Spotted Peccary Music.



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