When Angels & Serpents Dance (2022 Remixed & Remastered) P.O.D.

Album Info

Album Veröffentlichung:


Label: Mascot Records

Genre: Rock

Subgenre: Metal

Interpret: P.O.D.

Das Album enthält Albumcover


Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 14,90
  • 1Addicted (2022 Remixed & Remastered)03:32
  • 2Shine with Me (2022 Remixed & Remastered)03:32
  • 3Condescending (2022 Remixed & Remastered)04:02
  • 4It Can't Rain Everyday (2022 Remixed & Remastered)04:43
  • 5Kaliforn-Eye-A (2022 Remixed & Remastered)04:27
  • 6I'll Be Ready (2022 Remixed & Remastered)04:41
  • 7The End of the World (2022 Remixed & Remastered)04:35
  • 8This Ain't No Ordinary Love Song (2022 Remixed & Remastered)03:45
  • 9God Forbid (2022 Remixed & Remastered)03:54
  • 10Roman Empire (2022 Remixed & Remastered)02:41
  • 11When Angels & Serpents Dance (2022 Remixed & Remastered)03:14
  • 12Tell Me Why (2022 Remixed & Remastered)03:20
  • 13Rise Against (2022 Remixed & Remastered)04:52
  • 14Don't Fake It (Bonus Track) (2022 Remixed & Remastered)03:14
  • 15Ridin' With You (Bonus Track) (2022 Remixed & Remastered)03:29
  • 16Walk On Water (Bonus Track)02:50
  • Total Runtime01:00:51

Info zu When Angels & Serpents Dance (2022 Remixed & Remastered)

Newly remastered including three previously unreleased bonus tracks! When Angels & Serpents Dance is the seventh studio album by Christian metal band P.O.D., released in 2008. It is the first album to include Marcos Curiel since Satellite and the first and only album to be produced for P.O.D. by INO/Columbia. It also includes Mike Muir from Suicidal Tendencies, Helmet guitarist/vocalist Page Hamilton, guest Gospel Choir, and the Marley Sisters. The album debuted at number 9 on the Billboard 200, selling over 34,000 copies in its first week. It has sold over 200,000 copies worldwide so far.

When asked about the lead track shared “Addicted,” Singer Sonny Sandoval offers, “We all have friends or family going through something. Without trying to just be so obvious, it is. Sometimes that stuff is out of your control. Once you get to that place in life, it really does ruin your life and take over. But again, how much of it is your choice and how much of it is really just being caught up? A lot of it is about my brother-in-law actually. He is homeless and kind of made that choice that he didn’t want to be a part of society. Like it was easier to just be on his own and do what he wanted to do and have no responsibilities. He struggles with substance abuse. It really stemmed from that. It’s never really always about one person. Whatever the topic is. I’m sure you know someone who is stuck in the same thing. It happened to be about a lot of stuff. I grew up around addiction and people that either died from addiction or it ruined their life because of it.” Guitarist Marcos Curiel adds, “As humans, we all have our demons and addictions, whether it is drugs, alcohol, or otherwise. We could be addicted to social media, or you could be addicted to a negative person, and have a negative outlook. So for me it just reminds me that you can’t take life for granted and addiction is a real thing. I think a lot of it comes from mental health and it is a big deal man. You see people struggling mentally man, and I think a lot of people try to numb it so they find other ways to numb themselves and they get addicted.”

Looking back at the time Singer Sonny Sandoval shares, “It was special because that’s when Marcos came back to the band. We did two records without Marcos, our guitar player, so this was just getting back together and putting aside whatever we had that caused this. This record has all of the elements of us, but it’s actually darker than it sounds in a lot of ways. It’s not one of our heaviest records, but there are a lot of musical elements in this one. I feel like we were just free to be us when Marcos got back in the band. We just had fun and really enjoyed making a record and dong it together as this united brotherhood. It was special to be able to do a record again with Marcos.” He continues, “Right after this record, we actually stopped doing music for about four years. I was going through some personal stuff and needed to take time off. We didn’t know if we were gonna do anything again. But we are happy that we got back together.”

Guitarist Marcos Curiel offers, “So, I was not in the band for two albums, and this was our first record back. I basically had something to prove as a songwriter and guitarist. I was like you know what man, I’m back. I’m one of the OG members with my brothers here we got something to prove. As a songwriter, I was like trying to write something with what was going on with our peers you know what I mean. So, I think that’s what makes this special for me. Personally, I think the overall sound we were flirting with a lot of different elements, and with pop dude, and then you could hear all the different elements on the record. I am very proud of it actually. Just stoked for it to be coming out. Because it is a record I think people need to hear. It is more relevant than it seems the nature of what Sonny is singing about today. Maybe more so than it was then, as the nature of the song topics and all that.”


Digitally remastered

P.O.D. (Payable on Death) certainly has the right to talk about passion in music. Passion has been front and center since the band formed in 1992 in San Diego, CA, and all the way up to the release of their eighth and latest record, Murdered Love. Over the last two decades, the group has sold over 10 million albums (including 2001’s triple platinum record Satellite), garnered four No. 1 music videos, three Grammy nominations and over a dozen rock radio hits, including “Southtown,” “Alive,” “Youth of the Nation” and “Goodbye For Now.” Music trends have come and gone, but P.O.D.’s fanbase has seemingly only grown stronger.

Still, after the release of 2008’s When Angels & Serpents Dance, the band took a lengthy hiatus. “You can blame me,” says Sandoval. “The record business was changing, and we all wanted to get back to our personal lives and families. When we do P.O.D., we want to enjoy what we’re doing, and not to do it to pay the bills or tour just to tour.” Fortunately, the time off served the band, and Sandoval, well. “Yeah, I got in a good place again. P.O.D. means so much to us and our fans – there’s a lot of love for what we do. I wanted to keep inspiring and encouraging people.”

The band initially reconvened with a few jam sessions and the intent to put out a hardcore, Bad Brains-style EP and tour a little bit. But the initial recordings were strong enough to convince the group to tackle a new album. “By taking a break, we kind of got back on the same page,” says guitarist Marcos Curiel. “Now, everyone has the same attitude going forward, the same feeling we had when we did those first two first two big albums The Fundamental Elements of Southtown and Satellite.”

The most startling aspect of Murdered Love lies in its diversity and the band’s songwriting having penned every track on the album. The opener “Eyez” might be the band’s heaviest song yet, with a cameo by Hatebreed’s Jamey Jasta. It contrasts sharply with “West Coast Rock Steady,” a playful hip-hop ode to their San Diego roots featuring Sen Dog of Cypress Hill. Meanwhile, “Panic & Run” is full-tilt punk, “Bad Boy” brings a funky swagger and first single “Lost in Forever” ties it all together with an equal mix of aggressiveness and melody.

“The band is a fusion of all our musical passions,” says Curiel. “We can jump from punk to reggae to rap to metal. And funk — people forget we had a little funk on our first few indie releases. So on a few songs here, we took it back. The whole process was really organic.”

Lyrically, the record finds P.O.D. at its most thoughtful and introspective as the band contemplates their lives and the world around them. On “Lost in Forever” Sandoval shows a mixture of hope and unease to questioning the cruelty of man, as the band also does in the brutal title track “Murdered Love.” “It’s about people who have died when all they brought was love” explains Curiel. The sparse, catchy “Beautiful,” contemplates the afterlife while the teeth-rattling album closer “I Am,” finds Sandoval opening with the vivid line: “I am the murderer, the pervert, sick to the core” and never lets up. It’s the band at its darkest and most confrontational.

“I had been doing a lot of outreach to kids, talking at a lot of schools,” says the singer. “I see what they go through – suicide, rape, addiction –and that song is just about being vulnerable and honest. They’re wondering if they’re screw-ups, if they’re deserving of love and compassion.

“The band recorded Murdered Love with Grammy-nominated producer Howard Benson (Kelly Clarkson, My Chemical Romance, Daughtry), a long-time friend of the group and the man behind three of its biggest records. “He’s family,” says Sandoval, then laughs. “He has the power to choose who he wants to work with, and I think he wanted to go back and make a real rock record.”

To promote the record, the band has already set up a late spring/early summer headlining tour, as well as hitting a number of festivals and larger shows this year. “It seems like there’s Warriors in every city,” says Curiel, noting the band’s affectionate nickname for their diehard fans. “They’re loyal. And it’s great, because we’ll see people who loved us around the Satellite era bringing their kids.” Given the closeness between the band and their fanbase, it’s no surprise that P.O.D.’s new logo was the result of an online contest with their fans.

In the end, Murdered Love showcases a band at its most energetic and vital, nearly two decades after its debut. Sandoval agrees.

“This is the best record we’ve ever done,” says the singer. “And that can only come from what we’ve put into this. We’re the same four down-to-earth guys we were when we were putting out indie records. There’s an honesty and an underdog vibe to everything we do that you can definitely hear in our music.”

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