some kind of peace — piano reworks Ólafur Arnalds
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- 1Loom — piano reworks03:57
- 2Woven Song — piano reworks03:48
- 3Spiral — piano reworks03:34
- 4Still / Sound – piano reworks04:51
- 5Back To The Sky — piano reworks03:47
- 6Zero — piano reworks03:26
- 7New Grass — piano reworks03:42
- 8The Bottom Line — piano reworks04:29
- 9We Contain Multitudes — piano reworks04:24
- 10Undone — piano reworks04:15
Info for some kind of peace — piano reworks
10 stunning new interpretations for piano of Ólafur Arnalds' hit album some kind of peace from acoustic solo piano to dreamy electronic sounds.
"I’ve always maintained the notion that a song is never finished. A piece of music can take on any form, evolve and breathe with whomever is playing it. When the idea of a reworks album came up, I thought of it as a chance to get some of my favourite people together on an album and challenge them to experiment, pull apart and rearrange my music. I gave them absolutely no direction. I wanted them to feel free to take the songs anywhere that felt right to them. The only requirement was that it had to be mostly, if not all, piano. The outcome is a beautiful album of expansive diversity. I’m deeply moved by the evident love that all these wonderful musicians put into the music that means so much to me. And once again, this process has proved to me that a recording is just a snapshot of what the song was at that particular time. The heart of a song lives in the performer.” (Ólafur Arnalds)
So the Icelandic artist invited a diverse mix of musical friends and companions from around the world to reinterpret his music. His last album "some kind of peace" - an album on which two Grammy-nominated tracks, "The Bottom Line" (feat. Bonobo) and "Loom" (feat. Josin) can be heard - serves here as the basis for the interpretations of ten artists. Among others, piano arrangements by Hania Rani, Lambert, Dustin O'Halloran, JFDR, Eydís Evensen and others can be found on the new album.
Ólafur Arnalds, piano
Born in 1986, Ólafur hails from the suburban Icelandic town of Mosfellsbær, just a few kilometres outside of Reykjavík. He has immersed himself completely in a world of delicate symphonic compositions generating near weightless orchestral pieces. Arnalds explores the crossover from classical to pop by mixing chamber strings and piano with discreet electronics which makes him a perfect fit for cinematic music label Erased Tapes. His motivations are clear: 'The classical scene is kind of closed to people who haven't been studying music all their lives. I would like to bring my classical influence to the people who don't usually listen to this kind of music…open people's minds.'
Through relentless touring and determination this young artist has steadily gained recognition worldwide since his 2007 debut 'Eulogy for Evolution'. His 2008 follow-up EP ‘Variations of Static’ earned Ólafur acclaim from both the contemporary and classical field – transcending a traditional divide. He has sold out some of the world’s most renowned music venues including Barbican Hall in London and has been awarded ‘Best Live Session of 2008’ by BBC Radio 1 presenter Gilles Peterson.
Over the past eighteen months Arnalds has advanced from a former support-act for Sigur Rós to an internationally respected artists in his own right. In April 2009 Arnalds created the 7 song series 'Found Songs' – recording a song a day for 7 days and instantly making each track available via Twitter and the official Erased Tapes website with over 300.000 people downloading for free.
December 2009 saw the release of Ólafur’s contemporary dance score 'Dyad 1909', commissioned by the award-winning choreographer Wayne McGregor. The dance piece, inspired by Shackleton’s South Pole premiered at the Sadler’s Wells theatre in October 2009 and became a much talked about 5-nights of live music, dance and visuals. BBC Four, the ITV1 South Bank Show and Arte TV Europe broadcasted 'Dyad 1909' on primetime television. In March 2010 he embarked on his first ever China Tour, which included sold-out shows in Shanghai, Hong Kong and Beijing, and a live webcast watched by thousands of fans all round the world.
Ólafur Arnalds' second full-length album '...and they have escaped the weight of darkness', continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements. The sense of an organic crossover recording is reinforced by the involvement of co-producer Barði Jóhannsson of eccentric pop/rock/electronica-formation Bang Gang. Those expecting a mere continuation of the minimal melancholia of his previous albums are in for a surprise, as the record may be the most uplifting and richly orchestrated work of his career.
'Precocious Nordic composer’s sumptuous second LP … Timeless and sublime' **** – UNCUT
'An artist of immense maturity' (9/10) – Drowned In Sound
This album contains no booklet.