The Best Of (Remastered) Rory Gallagher
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 1What's Going On02:44
- 2Shadow Play04:43
- 3Follow Me04:37
- 4Tattoo'd Lady04:34
- 5All Around Man06:13
- 6I Fall Apart05:10
- 7Daughter Of The Everglades06:10
- 8Calling Card05:22
- 9I'm Not Awake Yet05:34
- 10Just The Smile03:39
- 11Out Of My Mind03:03
- 12Edged In Blue05:28
- 14It's Happened Before, It'll Happen Again06:32
- 15Crest Of A Wave05:54
- 16Bad Penny04:03
- 17Walk On Hot Coals07:01
- 18Blister On The Moon03:26
- 19Loanshark Blues04:24
- 20Bought And Sold03:24
- 21A Million Miles Away06:55
- 22Wheels Within Wheels03:39
- 23Seven Days05:12
- 24Ghost Blues07:58
- 25Cruise On Out04:40
- 26(I Can't Get No) Satisfaction03:48
- 27They Don't Make Them Like You Anymore04:08
Info for The Best Of (Remastered)
Following the commercial and critically acclaimed success of the recent albums “Blues” (2019) and the three-week running No.1 album on the Billboard Blues Chart “Check Shirt Wizard – Live in ’77” (2020), UMC is pleased to present a new Rory Gallagher best of collection entitled “The Best Of Rory Gallagher” on Friday 9th October 2020.
The comprehensive compilation includes Rory’s most iconic songs compiled from across his recording career, including tracks from Rory’s seminal first band Taste (1969) through to his final studio album “Fresh Evidence” (1990).
The album will be released as a double album set featuring 30 tracks including a previously unreleased collaboration with Jerry Lee Lewis.
Unearthed from the Rory Gallagher Archives is a special bonus track “(I Can’t Get No) Satisfaction” – a rare outtake taken from Jerry Lee Lewis’ famous 1973 “London Sessions” featuring Rory singing and playing the Rolling Stones’ classic alongside the legendary Jerry Lee Lewis.
If ever there was a “musician’s musician” then that accolade belongs to Rory Gallagher. Renowned for his blistering live performances and highly respected for his dedication to his craft, he died in 1995, aged just 47.
His reputation has continued to flourish in the years since. Indeed, some of rock’s most seminal figures, from Jimi Hendrix to Eric Clapton, Joe Satriani to Joe Bonamassa, Queen’s Brian May to The Smiths’ Johnny Marr, Slash of Guns N Roses to the Edge of U2, have cited him as an influence. Rory remains a touchstone for all would-be guitar heroes in the 21st Century.
When asked "How does it feel to be the best guitarist in the world," Jimi replied, "I don't know, why don't you go and ask Rory Gallagher." – Jimi Hendrix
"The man who got me back into the blues." – Eric Clapton
"There are a million guys who sound like Stevie Ray Vaughan, but I never heard anybody who could really pull off sounding like Rory Gallagher." – Slash
"As soon as I heard Cradle Rock, I was hooked. I thought, 'This is what I want to be when I grow up." – Joe Bonamassa
"I really liked Rory, he was fine guitarist and singer and lovely man." – Jimmy Page
After a career cut short by illness and a premature death, guitarist, singer, and songwriter Rory Gallagher left his mark in the blues and rock worlds. His hard-charging, intensely rhythmic playing style on his 1961 Stratocaster still casts a long shadow over rock & roll: Queen's Brian May imitated not only his playing but his gear early on; he credits Gallagher with the root of his sound. Eric Clapton said it was Gallagher who got him "back into the blues." Johnny Marr acknowledges a great debt as well: After learning how to play the guitarist's classic Deuce album track-for-track at 13, he revealed Gallagher's influence throughout his career. Marr also said that he received mentorship and advice on his conduct on-stage and off. Even U2's the Edge and Slash sing his praises and credit his influence. While Gallagher didn't tour the U.S. very often, he lived on the stages of Europe. But he was well-known on Yankee shores for his marathon-length, no-holds-barred live shows at clubs and theaters across North America. While never a major presence on radio in the United States, Gallagher nonetheless racked up a handful of semi-hit singles with "Laundromat," "I Walk on Hot Coals," "Shadow Play," and "Philby," as well as a slew of acclaimed albums from 1971's Deuce and the remarkable Irish Tour in 1974, through Calling Card in 1976 and Top Priority in 1979. Even after the hits, Gallagher continued to pump out high-quality albums including 1982's Jinx and 1990's Fresh Evidence. Even after his accidental death on an operating table in 1995, Gallagher continued to win over new fans and influence artists of many stripes, including the mystery writer Ian Rankin, who created a posthumous compilation called The Continental Op in 2013 comprised of the guitarist's many songs about spies and suspense. Gallagher was born in Ballyshannon, County Donegal, Irish Republic, on March 2, 1948. Shortly after his birth, his family moved to Cork City in the south, and at age nine he became fascinated with American blues and folk singers he heard on the radio. An avid record collector, he had a wide range of influences, including Leadbelly, Buddy Guy, Freddie King, Albert King, Muddy Waters, and John Lee Hooker. Gallagher would always try to mix some simple country blues songs into his recordings.
He began his recording career after moving to London, when he formed a trio called Taste. The group's self-titled debut album was released in 1969 in England and later picked up for U.S. distribution by Atco/Atlantic. Between 1969 and 1971, with producer Tony Colton behind the board, Gallagher recorded three albums with Taste before they split up. He began performing under his own name in 1971, releasing his 1970 debut, Rory Gallagher, for Polydor Records in the U.K. The album was picked up for U.S. distribution by Atlantic, and later that year he recorded Deuce, also released by Atlantic in the U.S.
His prolific output continued, as he followed up Deuce with Live in Europe (1972) and Blueprint and Tattoo, both in 1973. Irish Tour 1974, like Live in Europe, did a good job of capturing the excitement of his live shows on tape, and he followed that with Calling Card for Chrysalis in 1976, and Photo Finish and Jinx for the same label in 1978 and 1982. By this point, Gallagher had made several world tours, and he took a few years of rest from the road. He got back into recording and performing live again with the 1987 release (in the U.K.) of Defender. His last album, Fresh Evidence, was released in 1991 on the Capo/I.R.S. label. Capo was his own record and publishing company that he set up in the hopes of eventually exposing other great blues talents.
Some of Gallagher's best work on record wasn't under his own name; it's music he recorded with Muddy Waters on The London Sessions (Chess, 1972) and with Albert King on Live (RCA/Utopia, 1977). Gallagher made his last U.S. tours in 1985 and 1991, and admitted in interviews that he'd always been a guitarist who fed off the instant reaction and feedback a live audience can provide. In a 1991 interview, he said: "I try to sit down and write a Rory Gallagher song, which generally happens to be quite bluesy. I try to find different issues, different themes and different topics that haven't been covered before...I've done songs in all the different styles...train blues, drinking blues, economic blues. But I try to find a slightly different angle on all these things. The music can be very traditional, but you can sort of creep into the future with the lyrics."
Gallagher passed away from complications after a liver transplant on June 14, 1995, at age 47. In 2019, to mark what would have been Gallagher's 50th year of recording, his estate released the four-disc anthology Blues, featuring rare and unreleased recordings from the '70s to the '90s. (Richard Skelly, AMG)
This album contains no booklet.