Beethovens Kosmos Hendrik Blumenroth & Margarita Oganesjan

• Ludwig van Beethoven (1770 - 1827): Sonata for piano and violoncello No. 1, F major, op. 5 No. 1:
• 1Sonata for piano and violoncello No. 1, F major, op. 5 No. 1: Adagio sostenuto – Allegro17:24
• 2Sonata for piano and violoncello No. 1, F major, op. 5 No. 1: Rondo: Allegro vivace07:10
• Sonata for piano and violoncello No. 2, G minor, op. 5 No. 2:
• 3Sonata for piano and violoncello No. 2, G minor, op. 5 No. 2: Adagio sostenuto e espressivo – Allegro molto piu tosto presto 15:39
• 4Sonata for piano and violoncello No. 2, G minor, op. 5 No. 2: Rondo: Allegro08:46
• Sonata for piano and violoncello No. 3, A major, op. 69:
• 5Sonata for piano and violoncello No. 3, A major, op. 69: Allegro ma non tanto 13:31
• 6Sonata for piano and violoncello No. 3, A major, op. 69: Scherzo: Allegro molto 05:23
• 7Sonata for piano and violoncello No. 3, A major, op. 69: Adagio cantabile – Allegro vivace 09:07
• Sonata for piano and violoncello No. 4, C major, op. 102 Nr. 1:
• 8Sonata for piano and violoncello No. 4, C major, op. 102 Nr. 1: Andante – Allegro vivace 08:01
• 9Sonata for piano and violoncello No. 4, C major, op. 102 Nr. 1: Adagio – Allegro vivace 07:38
• Sonata for piano and violoncello No. 5, D major, op. 102 No 2:
• 10Sonata for piano and violoncello No. 5, D major, op. 102 No 2: Allegro con brio 06:44
• 11Sonata for piano and violoncello No. 5, D major, op. 102 No 2: Adagio con molto sentimento d'affetto10:09
• 12Sonata for piano and violoncello No. 5, D major, op. 102 No 2: Allegro – Allegro fugato 04:11
• Total Runtime01:53:43

Info for Beethovens Kosmos

Beethoven's cosmos: The cycle of the five cello sonatas is particularly interesting because it leads concisely through Beethoven's various creative periods. The result is a three-part structure beginning with the first two sonatas op. 5 as early works, the Sonata in A major op. 69 as a mature work of the middle creative period and the two sonatas op. 102 as late works. Due to the very different characters of the sonatas and the not insignificant time intervals between them, there are very attractive possibilities, both interpretationally and technically, to bring out these differences.

The result is a musical cosmos with a powerful sound, recorded by the internationally renowned Armenian pianist Margarita Oganesjan and the multiple prize-winner Hendrik Blumenroth on the violoncello, which captivates the listener from the very first note.

Hendrik Blumenroth, violoncello
Margarita Oganesjan, piano

No biography found.

Booklet for Beethovens Kosmos