Album info

Album-Release:
2021

HRA-Release:
02.04.2021

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FLAC 48 $ 13.70
  • Erwin Schulhoff (1894 - 1942): Flammen, WV 93, Act I:
  • 1Schulhoff: Flammen, WV 93, Act I Scene 1 (Sung in German): Einsam im Haus [Live]10:07
  • 2Schulhoff: Flammen, WV 93, Act I Scene 2 (Sung in German): Roter Tropfen glüht [Live]04:49
  • 3Schulhoff: Flammen, WV 93, Act I Scene 3 (Sung in German): Es schweigt der Dom [Live]11:01
  • 4Schulhoff: Flammen, WV 93, Act I Scene 4 (Sung in German): Sonnenräume, Ewigkeit [Live]07:46
  • 5Schulhoff: Flammen, WV 93, Act I Scene 5 (Sung in German): Schön steht ihr da und fest [Live]09:36
  • 6Schulhoff: Flammen, WV 93, Act I Scene 6 (Sung in German): Warum so lässig und wie Stein [Live]06:18
  • 7Schulhoff: Flammen, WV 93, Act I Scene 7 (Sung in German): Wie Regenbogen am Horizont [Live]10:02
  • 8Schulhoff: Flammen, WV 93, Act I Scene 7 (Sung in German): Laue Nacht [Live]10:32
  • Flammen, WV 93, Act II:
  • 9Schulhoff: Flammen, WV 93, Act II (Sung in German): Introduction [Live]03:12
  • 10Schulhoff: Flammen, WV 93, Act II Scene 8 (Sung in German): Bringt ihr Liebe oder Tod [Live]04:28
  • 11Schulhoff: Flammen, WV 93, Act II Scene 8 (Sung in German): Du gehst durch Nacht [Live]07:56
  • 12Schulhoff: Flammen, WV 93, Act II Scene 8 (Sung in German): Also doch der alte Effekt [Live]11:41
  • 13Schulhoff: Flammen, WV 93, Act II Scene 9 (Sung in German): Sprich, steh auf! Enttäuscht von allem [Live]03:55
  • 14Schulhoff: Flammen, WV 93, Act II Scene 9 (Sung in German): Der Wein zischt auf und Blut erdröhnt [Live]06:55
  • 15Schulhoff: Flammen, WV 93, Act II Scene 9 (Sung in German): Nie! Tod sitzt in meinem Gesicht [Live]10:19
  • 16Schulhoff: Flammen, WV 93, Act II Scene 10 (Sung in German): Einsam das Haus [Live]08:52
  • Total Runtime02:07:29

Info for Schulhoff: Flammen, WV 93 (Live)



In the 1920s and 1930s, there was a multi-faceted musical scene in culturally flourishing Czechoslovakia. When we take a look at the works by e.g. Pavel Haas, Gideon Klein, Hans Krása, Viktor Ullmann or Erwin Schulhoff, we can perceive a stylistically very similar course, conceivable against the given background as a ‘Prague School’ (as a counter-movement to the ‘Viennese School’). In Schulhoff’s early works, the features are a late Romantic approach influenced by Reger that later developed with an emphasis on rhythm in the direction of Expressionism and Neo-Classicism, also including jazz elements. The starting point is the ‘Don Juan’ story, but the underlying idea in Beneš’ and Schulhoff’s work is not to present the colourful seducer, but the fate of a man driven by his desires and needs who cannot even remotely find happiness and peace in constancy. In his opera, Schulhoff brilliantly manages to find a different dramaturgical approach, on the one hand, and at the same time to pay a kind of alienated homage to Mozart’s work, on the other.

Raymond Very, tenor (Don Juan)
Iris Vermillion, mezzo-soprano (La Morte)
Stephanie Friede, sopran (A Woman/A Nun/Marguerite/Donna Anna)
Salvador Fernández-Castro, baritone (Commendatore)
Markus Raab, baritone (Arlecchino)
Gabriela Bone, Sopran
Nina Bernsteiner, sopran
Arnold Schoenberg Chor
Erwin Ortner, choir direction
ORF Vienna Radio Symphony Orchestra
Bertrand de Billy, conductor

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