Still... Good to Be Bad (Remastered) Whitesnake
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- 1Best Years (2023 Remix)05:15
- 2Can You Hear the Wind Blow (2023 Remix)05:23
- 3Lay Down Your Love (2023 Remix)06:10
- 4All I Want All I Need (2023 Remix)05:40
- 5Call on Me (2023 Remix)05:00
- 6All for Love (2023 Remix)05:11
- 7Good to Be Bad (2023 Remix)05:09
- 8Summer Rain (2023 Remix)06:23
- 9If You Want Me (2023 Remix)04:08
- 10Got What You Need (2023 Remix)04:14
- 11Dog (2023 Remix)03:27
- 12All I Want Is You (2023 Remix)04:44
- 13A Fool in Love (2023 Remix)05:45
- 14Ready to Rock (2023 Remix)04:27
- 15Til the End of Time (2023 Remix)05:21
- 16Best Years (2023 Remaster)05:16
- 17Can You Hear the Wind Blow (2023 Remaster)05:04
- 18Lay Down Your Love (2023 Remaster)06:02
- 19If You Want Me (2023 Remaster)04:09
- 20All I Want All I Need (2023 Remaster)05:42
- 21Call on Me (2023 Remaster)05:03
- 22Ready to Rock (2023 Remaster)04:29
- 23Summer Rain (2023 Remaster)06:11
- 24Good to Be Bad (2023 Remaster)05:15
- 25All for Love (2023 Remaster)05:15
- 26All I Want Is You (2023 Remaster)04:36
- 27Got What You Need (2023 Remaster)04:16
- 28A Fool in Love (2023 Remaster)05:49
- 29Dog (2023 Remaster)03:27
- 30Til the End of Time (2023 Remaster)05:36
- 31Lay Down Your Love (with Hook City Harlots)06:09
- 32Call on Me (with Hook City Harlots)05:01
- 33All for Love (with Hook City Harlots)05:11
- 34Good to Be Bad (with Hook City Harlots)05:09
- 35If You Want Me (with Hook City Harlots)04:08
- 36Got What You Need (with Hook City Harlots)04:15
- 37A Fool in Love (with Hook City Harlots)05:47
- 38Dog (with Tommy Aldridge)03:27
- 39All I Want Is You (with Tommy Aldridge)04:44
- 40Ready to Rock (with Tommy Aldridge)04:28
- 41If You Want Me (with Tommy Aldridge)04:08
- 42All for Love (Doug Aldrich Alternate Solo)05:13
- 43Summer Rain (Unzipped)06:23
- 44Best Years (Evolution)06:01
- 45Can You Hear the Wind Blow (Evolution)05:41
- 46Lay Down Your Love (Evolution)05:49
- 47All I Want All I Need (Evolution)05:44
- 48Call on Me (Evolution)05:09
- 49All for Love (Evolution)05:43
- 50Good to Be Bad (Evolution)05:00
- 51Summer Rain (Evolution)04:39
- 52If You Want Me (Evolution)04:07
- 53Got What You Need (Evolution)04:27
- 54Dog (Evolution)03:28
- 55All I Want Is You (Evolution)05:11
- 56A Fool in Love (Evolution)05:46
- 57Ready to Rock (Evolution)04:17
- 58Til the End of Time (Evolution)05:53
Info for Still... Good to Be Bad (Remastered)
Whitesnake - Still... Good to Be Bad - Whitesnake explores the group's 2008 return with the upcoming retrospective, STILL GOOD TO BE BAD.
Still... Good to Be Bad is the tenth studio album by Whitesnake, released in April 2008. It was the band's first album of new studio material in a decade, since 1997’s Restless Heart, not including the four new tracks recorded for the 2006 live album Live: In the Shadow of the Blues.
The album charted at number 62 on the Billboard 200 chart, number 8 on the Top Independent albums chart, number 23 on the Canadian Albums Chart and number 7 on the UK Albums Chart. For Good To Be Bad the band consisted of the mainstays, guitarists Doug Aldrich and Reb Beach plus keyboard player Timothy Drury remain the same, but rhythm section changed, with the additions of newcomers Uriah Duffy on bass and Chris Frazier on drums.
Whitesnake returned in 2008 with Good To Be Bad, the band’s 10th studio album and its first in over a decade. Fans embraced the comeback, pushing the album into the Top 10 in the U.K. and flocking to shows on the band’s massive world tour. Today, album tracks like “Best Years” and “Summer Rain” have taken their place in the band’s live repertoire alongside global hits like “Here I Go Again” and “Still Of The Night.”
Whitesnake explores the group’s 2008 return with the upcoming legacy retrospective, STILL GOOD TO BE BAD. The collection will be available in different configurations on April 28, a few days after the original album’s 15th anniversary. It has two new versions of the original album (one remastered and the other newly remixed)
Whitesnake founder and lead singer David Coverdale played an integral role in making the new collection, serving as its executive producer. In the set’s liner notes, Coverdale traces the creative spark for Good to Be Bad back to 2003 when he reconvened Whitesnake for a tour celebrating the band’s 25th anniversary.
“We went out for two months and came back nine months later, and I had a big smile on my face and felt really energized.… I thought—‘Wow! I’ve got thirty years of music here that I can go out and play, and I don’t have to promote a new record…I can just have fun out there.’”
The anniversary ended, but the tour buses kept rolling as Whitesnake remained in demand on the road. As a result, in 2006, the band released Live…In The Shadow Of The Blues, a concert album that also introduced four new studio recordings. Those songs raised fans’ hopes for a new Whitesnake studio album, the first since 1997’s Restless Heart.
Coverdale enjoyed a newly forged creative friendship with electrifying guitarist Doug Aldrich…After initially saying he wasn’t interested in new projects…after 3 years of touring, he felt the need for new music…not only for the fans, but also to reinvigorate himself.
He found the perfect writing partner with Doug Aldrich. Not only as a co-writer but, as a co-producer, too…
“Doug & I got on so well, I suggested we sit down with our acoustic guitars & see what unfolded…I was thrilled how effortless it was to create new Whitesnake music with him…”
So, it was that in 2007, Coverdale, guitarists Doug Aldrich and Reb Beach, keyboardist Timothy Drury, bassist Uriah Duffy, and drummer Chris Frazier began recording tracks for Whitesnake’s 10th studio album, Good to Be Bad. Celebrated by both fans and critics, the record was named “Album of the Year” at the 2008 Classic Rock Awards.
STILL GOOD TO BE BAD explores the creative process behind the record with 28 different mixes and alternate versions of album tracks, all but one of them previously unreleased. High points include “If You Want Me,” backed by the Hook City Harlots and Horns and a version of “All For Love” that features a different guitar solo by Aldrich. The collection also includes "Evolutions", a disc of unreleased recordings that presents a guide through the genesis of each song, from initial ideas with rough vocal melodies, lyrics and riffs through to finished demos and full band production versions.
After recording two solo albums, former Deep Purple vocalist David Coverdale formed Whitesnake around 1977. In the glut of hard rock and heavy metal bands of the late '70s, their first albums got somewhat lost in the shuffle, although they were fairly popular in Europe and Japan. During 1982, Coverdale took some time off so he could take care of his sick daughter. When he re-emerged with a new version of Whitesnake in 1984, the band sounded revitalized and energetic. Slide It In may have relied on Led Zeppelin's and Deep Purple's old tricks, but the band had a knack for writing hooks; the record became their first platinum album. Three years later, Whitesnake released an eponymous album (titled 1987 in Europe) that was even better. Portions of the album were blatantly derivative — "Still of the Night" was a dead ringer for early Zeppelin — but the group could write powerful, heavy rockers like "Here I Go Again" that were driven as much by melody as riffs, as well as hit power ballads like "Is This Love." Whitesnake was an enormous international success, selling over six million copies in the U.S. alone.
Before they recorded their follow-up, 1989's Slip of the Tongue, Coverdale again assembled a completely new version of the band, featuring guitar virtuoso Steve Vai. Although the record went platinum, it was a considerable disappointment after the across-the-board success of Whitesnake. Coverdale put Whitesnake on hiatus after that album. In 1993, he released a collaboration with former Led Zeppelin guitarist Jimmy Page that was surprisingly lackluster. The following year, Whitesnake issued a greatest-hits album in the U.S. and Canada focusing solely on material from their final three albums (as well as containing a few unreleased tracks).
In 1997, Coverdale resurrected Whitesnake (guitarist Adrian Vandenberg was the only remaining member of the group's latter-day lineup), issuing Restless Heart the same year. Surprisingly, the album wasn't even issued in the United States. On the ensuing tour, Coverdale and Vandenberg performed an "unplugged" show in Japan that was recorded and issued the following year under the title Starkers in Tokyo. By the late '90s, however, Coverdale once again put Whitesnake on hold, as he concentrated on recording his first solo album in nearly 22 years. Coverdale's Into the Light was issued in September 2000, featuring journeyman guitarist Earl Slick. After a lengthy hiatus that saw the release of countless "greatest-hits" and "live" collections, the band returned in 2008 with the impressive Good to Be Bad. Coverdale and Whitesnake toured the album throughout Europe and Japan. The band returned to the recording studio in 2010 with new members bassist Michael Devin (formerly of Lynch Mob) and drummer Brian Tichy, who appeared alongside guitarists Doug Aldrich and Reb Beach, and guest keyboardist Timothy Drury (as well as Coverdale's son Jasper on backing vocals on various tracks). The band's 11th album, Forevermore, was preceded by the issue of the single, "Love Will Set You Free," and released in the spring of 2011. (ROVI)
This album contains no booklet.