Beethoven: Sonatas for Piano and Violin Vol. 1 Michael Foyle & Maksim Štšura

• Ludwig van Beethoven (1770 - 1827): Sonata No. 1 in D Major, Op. 12, No. 1. :
• 1Sonata No. 1 in D Major, Op. 12, No. 1. : I. Allegro con brio06:30
• 2Sonata No. 1 in D Major, Op. 12, No. 1. : II. Tema con Variazioni: Andante con moto07:01
• 3Sonata No. 1 in D Major, Op. 12, No. 1. : III. Rondo: Allegro05:10
• Sonata No. 2 in A Major, Op. 12, No. 2:
• 4Sonata No. 2 in A Major, Op. 12, No. 2: I. Allegro vivace04:46
• 5Sonata No. 2 in A Major, Op. 12, No. 2: II. Andante più tosto Allegretto04:50
• 6Sonata No. 2 in A Major, Op. 12, No. 2: III. Allegro piacévole05:36
• Sonata No. 4 in A Minor, Op. 23:
• 7Sonata No. 4 in A Minor, Op. 23: I. Presto05:20
• 8Sonata No. 4 in A Minor, Op. 23: II. Andante scherzoso05:49
• 9Sonata No. 4 in A Minor, Op. 23: III. Allegro molto05:55
• Sonata No. 5 in F Major, Op. 24 ‘Spring’:
• 10Sonata No. 5 in F Major, Op. 24 ‘Spring’: I. Allegro07:37
• 11Sonata No. 5 in F Major, Op. 24 ‘Spring’: II. Adagio molto espressivo05:04
• 12Sonata No. 5 in F Major, Op. 24 ‘Spring’: III. Scherzo: Allegro molto01:21
• 13Sonata No. 5 in F Major, Op. 24 ‘Spring’: IV. Rondo: Allegro ma non troppo06:37
• Total Runtime01:11:36

Info zu Beethoven: Sonatas for Piano and Violin Vol. 1

Michael Foyle: Exploring these Sonatas in 2020 took on a deeper significance beyond the anniversary celebrations. Recording all ten in Mechelen, Belgium, the home of Beethoven’s paternal ancestors, with much of the world’s population in isolation, his works revealed new layers of emotional intensity and psychological relevance.

The Op. 12 Sonatas belong to the last decade of the eighteenth century, a period when Beethoven was conquering Vienna as the foremost keyboard virtuoso of the day but simultaneously seeking to have his compositions published for the first time. In essence, classical duo sonatas for piano and strings had grown from the eighteenth-century ‘accompanied’ sonatas, in which the string instrument provided a supportive role to the keyboard’s dominating textures. Here we witness a gradual incorporation of a ‘dramatic dialogue’ (to borrow Simon P. Keefe’s term) between instruments which had previously been more important in concerto writing.

Beethoven’s Sonata No. 5 in F major Op. 24 is described by musicologist Angus Watson as ‘an exquisite testament to Beethoven’s profoundly religious feeling for the natural world.’

Michael Foyle, violin
Maksim Štšura, piano

Michael Foyle
Praised for playing of ‘compelling conviction’ (The Daily Telegraph) and performances ‘full of sparkling detail, with tonal beauty and incisive rhythmic clarity, balancing wit and poetry’ (The Strad), Michael Foyle launched his career by winning The Netherlands Violin Competition in 2016. His performance of Szymanowski’s Violin Concerto No.1 with the Rotterdam Philharmonic Orchestra led to an immediate invitation to give his debut recital in the Concertgebouw, Amsterdam.

His London debut followed with a recital at the Wigmore Hall (‘superlative’ – Seen and Heard International) and since then he has performed recitals in the UK’s most prestigious venues, including Queen Elizabeth Hall, Purcell Room, Buckingham Palace, St. Martin-in-the-Fields, Bridgewater Hall and Usher Hall, regularly being broadcast on BBC Radio 3.

In 2018-19 he released his debut CDs, ‘The Great War Centenary - Debussy, Janacek and Respighi Sonatas’ on Challenge Records and ‘Lutoslawski and Penderecki: Complete Violin and Piano Works’ on Delphian Records, both to critical acclaim (‘vividly and beautifully conceived and executed – BBC Music Magazine, ‘richly detailed and impassioned performances’ - The Daily Telegraph, ‘a dream debut, 10/10’ – Luister, ’an extraordinary release, played phenomenally’ – Stretto). In 2020-21, he is releasing the Complete Beethoven Sonatas with pianist Maksim Stsura to mark the composer's bicentenary.

Michael now pursues a busy solo career, recently performing concertos with the English Chamber Orchestra at Cadogan Hall (Prokofiev No.1), the Polish Baltic Philharmonic in Gdansk (Elgar), Youth Symphony Orchestra of Russia in Great Hall of Moscow Conservatory (Brahms) and a return to the Rotterdam Philharmonic (Korngold). He gives recitals at festivals worldwide, including St. Magnus International Festival, New York Chamber Music Festival, Grachtenfestival Amsterdam, Cervantino Festival (Mexico) and Evgeny Mravinsky Festival (St. Petersburg).

Also a passionate collaborator, Michael has recently performed with the likes of Michael Collins, Rafael Payare, Trevor Pinnock, London Conchord Ensemble and the Brodsky Quartet. With duo pianist Maksim Stsura, he has given over 200 recitals. He has performed premieres of solo and chamber works by over 30 living composers, while invitations to perform as Guest-Concertmaster with orchestras such as BBC Symphony and The Halle have seen him working with conductors including Semyon Bychkov, Mark Elder, Oliver Knussen, Sakari Oramo and Vasily Petrenko.

Alongside his performance work, Michael became Professor at the Royal Academy of Music in London in 2016, the youngest violinist appointed in the institution’s 200-year history. In October 2021 he will also join the violin faculty of the Hochschule für Musik und Tanz in Cologne.

Michael was born in Scotland in 1991 and, as a teenager, won the BBC Young Musician of the Year Tabor Award and led the National Youth Orchestra of Great Britain. He studied at the Royal College of Music and Royal Academy of Music in London with Maureen Smith and Daniel Rowland, and then at the Vienna Konservatorium with Pavel Vernikov. He also received masterclasses from James Ehnes and Maxim Vengerov. During this time, Michael won the Royal Overseas League String Competition, the Salieri-Zinetti International Chamber Music Competition and Beethoven Society of Europe Competition, and was selected for the Park Lane Group, City Music Foundation, Kirckman Concert Society, Making Music Young Concert Artists and Live Music Now.

He plays a Gennaro Gagliano violin (1750) on loan.

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