All These Lighted Things Antwerp Symphony Orchestra & Elim Chan

• Sergei Prokofiev (1891 - 1953): Romeo and Juliet, Suite No. 2, Op. 64ter:
• 1Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets05:05
• 2Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: II. The Young Juliet04:12
• 3Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: III. Friar Laurence02:39
• Romeo and Juliet, No. 1, Op. 64bis:
• 4Prokofiev: Romeo and Juliet, No. 1, Op. 64bis: V. Masks01:56
• 5Prokofiev: Romeo and Juliet, No. 1, Op. 64bis: VI. Romeo and Juliet07:15
• 6Prokofiev: Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt04:48
• Romeo and Juliet, Suite No. 2, Op. 64ter:
• 7Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: V. Romeo and Juliet Before Parting07:54
• 8Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: VII. Romeo at Juliet's Grave05:59
• Elizabeth Ogonek (b. 1989): All These Lighted Things:
• 9Ogonek: All These Lighted Things: I. Exuberant, playful, bright04:51
• 10Ogonek: All These Lighted Things: II. Gently drifting, hazy04:33
• 11Ogonek: All These Lighted Things: III. Buoyant04:58
• Maurice Ravel (1875 - 1937): Daphnis et Chloé, Suite No. 2, M. 57b:
• 12Ravel: Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever de jour06:06
• 13Ravel: Daphnis et Chloé, Suite No. 2, M. 57b: II. Pantomime06:02
• 14Ravel: Daphnis et Chloé, Suite No. 2, M. 57b: III. Danse générale04:40
• Total Runtime01:10:58

Info for All These Lighted Things

Anyone who has seen the conductor Elim Chan on stage is familiar with the immense energy produced by her baton. With the Antwerp Symphony Orchestra, of which she has been Principal Conductor since 2019, she celebrates a genre dear to her heart, ballet music, which places the emphasis on both physical movement and orchestral power. More than a century of ballet music is presented here, with excerpts from Prokofiev’s Romeo and Juliet suites, oscillating between passionate love and fatal violence; Suite no.2 from Ravel’s Daphnis et Chloé , the fruit of his first collaboration with Diaghilev in 1912, which he described as a ‘choreographic symphony’; and finally a work by Elizabeth Ogonek, All These Lighted Things , premiered in 2017. Although the title of these ‘three little dances for orchestra’ comes from a poem that evokes a soothing union with the earth at the dawn of a sunny day, the piece ends with a sort of folk dance that degenerates into an orchestral storm.

Antwerp Symphony Orchestra
Elim Chan, conductor

Elim Chan
One of the most sought-after artists of her generation, Elim Chan performs an unusually wide-ranging repertory of symphonic works extending from the Classical period to the present day. The Sunday Times describes Elim Chan as “a rare example of a young conductor at once brilliant and not in the least showing off.” In January 2022, the Boston Classical Review spoke of a “marvel of control and understanding” following Elim Chan’s debut with the Boston Symphony Orchestra: “…Chan was the night’s revelation. As a conductor, she’s the embodiment of the principle that less is more. Like Fritz Reiner or Bernard Haitink, she’s not overly demonstrative on the podium. But her beat is clear, gestures economical, and cues precise. Also, she has an exceptionally sensitive ear.“

Elim Chan was principal guest conductor of the Royal Scottish National Orchestra from 2018 to 2023 and has been principal conductor of the Antwerp Symphony Orchestra since 2019. In her last season as chief conductor, she will present the orchestra in the Benelux in the 2023-24 season with amongst others Gustav Mahler’s 4th Symphony and soloists including Sol Gabetta and Midori.

Highlights of the 2023-24 season include debuts with the Salzburg Festival, the Orchestre de Paris as well as the Staatskapelle Berlin and the Staatskapelle Dresden, as well as the New York Philharmonic. Further debuts in North America are scheduled with the Orchestre Métropolitain in Montreal as well as the Minnesota Orchestra and Seattle Symphony. In Europe, first collaborations will take place with the Danish National Orchestra and the radio orchestras of the German broadcasters SWR, RSB and WDR. Re-invitations this season will take Elim Chan to the Los Angeles Philharmonic and St. Louis Symphony Orchestra as well as the Oslo Philharmonic, Swedish Radio Symphony Orchestra and the Philharmonia Orchestra in London. In spring 2023, the Orquesta Sinfónica de Castilla y León announced a three-year collaboration with Elim Chan as Associate Conductor, focusing on Stravinsky’s ballets.

A native of Hong Kong, Elim Chan studied at Smith College, Northampton, Massachusetts, and at the University of Michigan. In 2014 she was the first female winner of the Donatella Flick Conducting Competition, enabling her to spend the 2015-16 season as assistant conductor at the London Symphony Orchestra, where she worked closely with Valery Gergiev. For the following season Elim Chan joined the Dudamel Fellowship program of the Los Angeles Philharmonic. She also owes much to the support and encouragement of Bernard Haitink, whose masterclasses she attended in Lucerne in 2015.

The Antwerp Symphony Orchestra
is the symphony orchestra of Flanders and is based in the new Queen Elisabeth Hall in Antwerp. Under the baton of Chief Conductor Elim Chan and Honorary Conductor Philippe Herreweghe the orchestra wants to move and inspire a large and diverse audience through top-level concert experiences.

Thanks to its own series of concerts in large venues, the Antwerp Symphony Orchestra occupies a unique position in Flanders. The Antwerp Symphony Orchestra has also been a guest of some major foreign concert halls: the Musikverein and Konzerthaus in Vienna, the Festspielhaus in Salzburg, the Amsterdam Concertgebouw, the Suntory Hall and the Bunka Kaikan Hall in Tokyo, the Philharmonie of Cologne and Munich, the Palace of Art in Budapest and the National Grand Theatre of Beijing. International concert tours through Europe and Asia are a constant item on the yearly calendar.

Alongside its regular concerts, the orchestra attaches great value to developing educational and social projects, offering children, youngsters, and people with different social backgrounds the opportunity to get acquainted with the symphony orchestra from close quarters.

Booklet for All These Lighted Things